My lens explores a hidden language of light waves and vibrations
which connects people, species, a nervous system and the environment,
and my interior world to my surroundings.
I create visual landscapes to temporarily shift presumed grounds.
In the episodic film and installation project
Through Borrowed Eyes: Vibration Films
an algorithm applies a temporal bandpass filter and selects
only the changes happening at a particular frequency.
No editing adds anything to the image.
The algorithm I am using amplifies what is already there.
Participants & Supporters
- 18th Street Art Center, Santa Monica (USA)
- ABC Dinamo, Designer
- Agata Polak
- Alexander Tutsek Foundation, Munich (Germany)
- Alonso Vargas
- Ballona Wetland Conservancy, Venice (USA)
- California Department of Fish & Wildlife, Los Angeles (USA)
- Chapman University, Orange (USA)
- Checkpoint Charlie Foundation, Berlin (Germany)
- Clemens von Wedemeyer, Filmmaker
- Dan Cooper, Conservation Biologist
- Edith Read, Ecologist
- Ecokai, Manhattan Beach (USA)
- Eliza Chojnacka / Artist
- Floating University, Berlin (Germany)
- Frank Masi & Brent Imai
- Friends of Ballona Wetlands, Venice (USA)
- Fulcrum Arts, Los Angeles (USA)
- Gilly Karjevsky, Curator
- Goethe Institut, Montreal (Canada)
- Institute for Jewish Creativity, Los Angeles (USA)
- Holly Tempo, Artist
- Jim Burton
- Joachim Reck
- Labocine LABOratory + CINEma
- Martin Ebner, Artist
- Maya Schweizer, Filmmaker
- Mor Arkadir, Photographer
- Nathan Sullivan
- Paul Kliem, Designer
- Rafal Krol
- Rosario Talevi, Curator / Architect
- Sebastian Díaz de León / Architect
- Shelley Stall, Environmental Data Scientist
- Southern California Academy of Sciences, Los Angeles (USA)
- Stiftung Kunstfonds and Neustart Kultur, Bonn (Germany)
- Tatiana Braun / Curator
- The Cornell Lab of Ornithology, Ithaca (USA)
- The Puffin Foundation, Teaneck (USA)
- Todd Bear